Mastering engineer Alan Silverman takes his musical expertise and applies it to music-oriented films, original article first appeared in Post Magazine.
Veteran producer Peter McCabe explains how NUGEN Audio plug-ins have helped him to evolve with the times, original article first appeared in Broadcast Beat.
I had to completely rely on my plug-ins to ensure the choral experience translated to how they sounded live, and I accomplished this beautifully with Paragon.
I began incorporating other NUGEN solutions into my workflow, and they have all become staples for me. Now, specifically Aligner, is used on just about everything I work on — it’s my favorite.
Paragon ST was perfect for 'Bola de Cristal'. It allowed me to give the sound the stereo image and amplitude it needed. The reverb in each track gave the song its sound.
Mike Wyeld, award-winning filmmaker, sound designer and educator, describes how NUGEN Audio keeps RCA at the top of its game, original article first appeared in TV Bay.
Gary Zacuto and Garrard Whatley explain how they use NUGEN Audio’s ISL True Peak limiter in creating sound design for some of the world’s top game trailers.
Emma Butt spoke with us about her beginnings in the audio industry, some favourite career moments, and how NUGEN Audio plug-ins fit in with her workflow.
Renowned for his versatility in the studio, GRAMMY® Award-winning Record Producer Mike Dean is who the world’s biggest artists turn to for their production needs.
Grammy-nominated dance music producer, DJ and prolific remixer Morgan Page takes time out before a Pacha set to talk to us about kick-drums, space and mono-compatible mixes.
